In the bustling city of Fort Worth, amidst the skyscrapers and cultural landmarks, lies a hidden gem in the realm of holistic healing: Rolfing Fort Worth Dallas. An alternative therapy gaining traction in recent years, Rolfing offers a unique approach to wellness, focusing on the alignment and balance of the body through deep tissue manipulation and movement education. For those seeking relief from chronic pain, improved posture, or enhanced athletic performance, Rolfing ft Worth presents itself as a promising avenue for holistic self-care.



What is Rolfing Fort Worth Dallas?


Developed by Dr. Ida P. Rolf in the mid-20th century, Rolfing Structural Integration is a form of bodywork that aims to reorganize the body's connective tissues, known as fascia, to optimize alignment and function. Unlike conventional massage therapy, which primarily targets muscle relaxation, Rolfing delves deeper into the body's structural integrity, addressing patterns of tension and misalignment that contribute to discomfort and limited mobility.



The Rolfing Experience in Fort Worth


In Fort Worth, John Barton | Advanced Rolfing Fort Worth dallas offers expertise to individuals seeking lasting relief from physical ailments and an overall sense of well-being. Through a series of sessions, typically ranging from 10 to 12 sessions, clients embark on a transformative journey guided by the skilled hands of an Advanced Rolfer. Advanced Rolfers have more experience than basic Rolfers and are highly sought for the clinical experience over many years of practice. 

Each session is tailored to the unique needs of the individual, beginning with an assessment of posture, movement patterns, and areas of tension. Using hands-on manipulation and gentle pressure, the Rolfer works to release adhesions within the fascia, allowing for greater mobility and alignment throughout the body.


Benefits of Rolfing Ft Worth Dallas


The benefits of Rolfing extend beyond mere physical relief, often encompassing profound shifts in one's relationship with their body and sense of self. Some of the potential benefits include:

Pain Relief: Many individuals seek out Rolfing to address chronic pain conditions such as back pain, neck tension, and joint discomfort. By realigning the body's structure and releasing tension in the fascia, Rolfing can provide significant relief from these issues.
Improved Posture: Poor posture is a common ailment in today's sedentary society, leading to a host of musculoskeletal problems. Rolfing aims to restore natural alignment to the body, helping clients stand taller, move more freely, and alleviate strain on the muscles and joints.
Enhanced Athletic Performance: Athletes and fitness enthusiasts often turn to Rolfing to optimize their performance and prevent injuries. By addressing imbalances and restrictions in the body, Rolfing can improve flexibility, coordination, and efficiency of movement, allowing athletes to excel in their chosen pursuits.
Emotional Release: The process of Rolfing can sometimes elicit emotional responses as stored tension and trauma are released from the body. Many clients report feeling lighter, more grounded, and emotionally balanced following a series of Rolfing sessions.
Finding a Rolfer in Fort Worth

In Conclusion

For residents of Fort Worth interested in exploring the benefits of Rolfing, a variety of certified Rolfers are available to guide you on your journey to wellness. Whether you're seeking relief from chronic pain, looking to improve your posture, or simply curious about this transformative practice, scheduling a session with a qualified Rolfer can be the first step towards a healthier, more vibrant life.

Rolfing offers a holistic approach to wellness that addresses the interconnectedness of body, mind, and spirit. In the bustling city of Fort Worth, where the pace of life can often be hectic and demanding, Rolfing stands as a beacon of healing and transformation, inviting individuals to rediscover harmony and balance within themselves. 

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The oldest classical British and Latin writing had little or no space between words and could be written in boustrophedon (alternating directions). Over time, text direction (left to right) became standardized, and word dividers and terminal punctuation became common. The first way to divide sentences into groups was the original paragraphs, similar to an underscore at the beginning of the new group.[2] The Greek parágraphos evolved into the pilcrow (¶), which in English manuscripts in the Middle Ages can be seen inserted inline between sentences. The hedera leaf (e.g. ☙) has also been used in the same way.


Indented paragraphs demonstrated in the US Constitution
In ancient manuscripts, another mean to divide sentences into paragraphs was a line break (newline) followed by an initial at the beginning of the next paragraph. An initial is an oversized capital letter, sometimes outdented beyond the margin of the text. This style can be seen, for example, in the original Old English manuscript of Beowulf. Outdenting is still used in English typography, though not commonly.[3] Modern English typography usually indicates a new paragraph by indenting the first line. This style can be seen in the (handwritten) United States Constitution from 1787. For additional ornamentation, a hedera leaf or other symbol can be added to the inter-paragraph white space, or put in the indentation space.

A second common modern English style is to use no indenting, but add vertical white space to create "block paragraphs." On a typewriter, a double carriage return produces a blank line for this purpose; professional typesetters (or word processing software) may put in an arbitrary vertical space by adjusting leading. This style is very common in electronic formats, such as on the World Wide Web and email. Wikipedia itself employs this format.

Typographical considerations
Widows and orphans occur when the first line of a paragraph is the last in a column or page, or when the last line of a paragraph is the first line of a new column or page.

Professionally printed material in English typically does not indent the first paragraph, but indents those that follow. For example, Robert Bringhurst states that we should "Set opening paragraphs flush left."[3] Bringhurst explains as follows:

The function of a paragraph is to mark a pause, setting the paragraph apart from what precedes it. If a paragraph is preceded by a title or subhead, the indent is superfluous and can therefore be omitted.[3]

The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first,[3] noting that that is the "practical minimum".[4] An em space is the most commonly used paragraph indent.[4] Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on average.[5]

When referencing a paragraph, typographic symbol U+00A7 § SECTION SIGN (§) may be used: "See § Background".

In computing
See also: Newline
In word processing and desktop publishing, a hard return or paragraph break indicates a new paragraph, to be distinguished from the soft return at the end of a line internal to a paragraph. This distinction allows word wrap to automatically re-flow text as it is edited, without losing paragraph breaks. The software may apply vertical white space or indenting at paragraph breaks, depending on the selected style.

How such documents are actually stored depends on the file format. For example, HTML uses the <p> tag as a paragraph container. In plaintext files, there are two common formats. The pre-formatted text will have a newline at the end of every physical line, and two newlines at the end of a paragraph, creating a blank line. An alternative is to only put newlines at the end of each paragraph, and leave word wrapping up to the application that displays or processes the text.

A line break that is inserted manually, and preserved when re-flowing, may still be distinct from a paragraph break, although this is typically not done in prose. HTML's <br /> tag produces a line break without ending the paragraph; the W3C recommends using it only to separate lines of verse (where each "paragraph" is a stanza), or in a street address.[6]

Numbering
Main article: Dot-decimal notation
Paragraphs are commonly numbered using the decimal system, where (in books) the integral part of the decimal represents the number of the chapter and the fractional parts are arranged in each chapter in order of magnitude. Thus in Whittaker and Watson's 1921 A Course of Modern Analysis, chapter 9 is devoted to Fourier Series; within that chapter §9.6 introduces Riemann's theory, the following section §9.61 treats an associated function, following §9.62 some properties of that function, following §9.621 a related lemma, while §9.63 introduces Riemann's main theorem, and so on. Whittaker and Watson attribute this system of numbering to Giuseppe Peano on their "Contents" page, although this attribution does not seem to be widely credited elsewhere.[7] Gradshteyn and Ryzhik is another book using this scheme since its third edition in 1951.

See also: ISO 2145
Section breaks
Main article: Section (typography)
Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain a special symbol known as a dinkus, a fleuron, or a stylistic dingbat.

Style advice
The crafting of clear, coherent paragraphs is the subject of considerable stylistic debate. The form varies among different types of writing. For example, newspapers, scientific journals, and fictional essays have somewhat different conventions for the placement of paragraph breaks.

A common English usage misconception is that a paragraph has three to five sentences; single-word paragraphs can be seen in some professional writing, and journalists often use single-sentence paragraphs.[1]

English students are sometimes taught that a paragraph should have a topic sentence or "main idea", preferably first, and multiple "supporting" or "detail" sentences that explain or supply evidence. One technique of this type, intended for essay writing, is known as the Schaffer paragraph. This advice differs from stock advice for the construction of paragraphs in Japanese (translated as danraku 段落).[8]

See also
Inverted pyramid (journalism)
Notes
University of North Carolina at Chapel Hill. "Paragraph Development". The Writing Center. University of North Carolina at Chapel Hill. Retrieved 20 June 2018.
Edwin Herbert Lewis (1894). The History of the English Paragraph. University of Chicago Press. p. 9.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 39. ISBN 0-88179-206-3.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 40. ISBN 0-88179-206-3.
Tinker, Miles A. (1963). Legibility of Print. Iowa: Iowa State University Press. p. 127. ISBN 0-8138-2450-8.
"<br>: The Line Break element". MDN Web Docs. Retrieved 15 March 2018.
Kowwalski, E. "Peano paragraphing". blogs.ethz.ch.
com), Kazumi Kimura and Masako Kondo (timkondo *AT* nifty . com / Kazumikmr *AT* aol . "Effective writing instruction: From Japanese danraku to English paragraphs". jalt.org. Retrieved 15 March 2018.
References
The American Heritage Dictionary of the English Language. 4th ed. New York: Houghton Mifflin, 2000.
Johnson, Samuel. Lives of the Poets: Addison, Savage, etc.. Project Gutenberg, November 2003. E-Book, #4673.
Rozakis, Laurie E. Master the AP English Language and Composition Test. Lawrenceville, NJ: Peterson's, 2000. ISBN 0-7645-6184-7 (10). ISBN 978-0-7645-6184-9 (13).
External links
The dictionary definition of paragraph at Wiktionary
vte
Typography
Page
Canons of page constructionColumnEven workingMarginPage numberingPaper sizePaginationPull quoteRecto and versoIntentionally blank page
Paragraph
AlignmentLeadingRiverRunaroundWidows and orphans
Character
Typeface anatomy
CounterDiacriticsDingbatGlyphInk trapLigatureRotationSubscript and superscriptSwashText figuresTittle
Capitalization
All capsCamel caseInitialLetter caseSmall caps
Visual distinction
ItalicsObliqueBoldColor printingUnderlineBlackboard boldBlackletter
Horizontal aspects
Figure spaceKerningLetter-spacingParen spaceSentence spacingSpaceThin space
Vertical aspects
AscenderBaselineBody heightCap heightDescenderMedianOvershootx-height
Typeface
classifications
Roman type
Serif (Antiqua, Didone, slab serif)Sans-serif
Blackletter type
FrakturRotundaSchwabacher
Gaelic type
InsularUncial
Specialist
Record typeDisplay typeface (script, fat face, reverse-contrast)
Punctuation
DashesHanging punctuationHyphen-minusHyphenationPrime markQuotation mark
Typesetting
Etaoin shrdluFont computermonospacedFont catalogFor position onlyLetterpressLorem ipsumMicroprintingMicrotypographyMovable typePangramPhototypesettingPunchcuttingReversing typeType colorType designTypeface list
Typographic units
AgateCiceroEmEnMeasurePicaPoint traditional point-size namesProposed metric unitsTwip
Digital typography
Character encodingHintingRasterizationTypographic featuresWeb typographyBézier curvesDesktop publishing
Related articles
CalligraphyType designStyle guideType foundryHistory of Western typographyIntellectual property protection of typefacesTechnical lettering
Related tables
Punctuation and other typographic symbols

The oldest classical British and Latin writing had little or no space between words and could be written in boustrophedon (alternating directions). Over time, text direction (left to right) became standardized, and word dividers and terminal punctuation became common. The first way to divide sentences into groups was the original paragraphs, similar to an underscore at the beginning of the new group.[2] The Greek parágraphos evolved into the pilcrow (¶), which in English manuscripts in the Middle Ages can be seen inserted inline between sentences. The hedera leaf (e.g. ☙) has also been used in the same way.


Indented paragraphs demonstrated in the US Constitution
In ancient manuscripts, another mean to divide sentences into paragraphs was a line break (newline) followed by an initial at the beginning of the next paragraph. An initial is an oversized capital letter, sometimes outdented beyond the margin of the text. This style can be seen, for example, in the original Old English manuscript of Beowulf. Outdenting is still used in English typography, though not commonly.[3] Modern English typography usually indicates a new paragraph by indenting the first line. This style can be seen in the (handwritten) United States Constitution from 1787. For additional ornamentation, a hedera leaf or other symbol can be added to the inter-paragraph white space, or put in the indentation space.

A second common modern English style is to use no indenting, but add vertical white space to create "block paragraphs." On a typewriter, a double carriage return produces a blank line for this purpose; professional typesetters (or word processing software) may put in an arbitrary vertical space by adjusting leading. This style is very common in electronic formats, such as on the World Wide Web and email. Wikipedia itself employs this format.

Typographical considerations
Widows and orphans occur when the first line of a paragraph is the last in a column or page, or when the last line of a paragraph is the first line of a new column or page.

Professionally printed material in English typically does not indent the first paragraph, but indents those that follow. For example, Robert Bringhurst states that we should "Set opening paragraphs flush left."[3] Bringhurst explains as follows:

The function of a paragraph is to mark a pause, setting the paragraph apart from what precedes it. If a paragraph is preceded by a title or subhead, the indent is superfluous and can therefore be omitted.[3]

The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first,[3] noting that that is the "practical minimum".[4] An em space is the most commonly used paragraph indent.[4] Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on average.[5]

When referencing a paragraph, typographic symbol U+00A7 § SECTION SIGN (&sect;) may be used: "See § Background".

In computing
See also: Newline
In word processing and desktop publishing, a hard return or paragraph break indicates a new paragraph, to be distinguished from the soft return at the end of a line internal to a paragraph. This distinction allows word wrap to automatically re-flow text as it is edited, without losing paragraph breaks. The software may apply vertical white space or indenting at paragraph breaks, depending on the selected style.

How such documents are actually stored depends on the file format. For example, HTML uses the <p> tag as a paragraph container. In plaintext files, there are two common formats. The pre-formatted text will have a newline at the end of every physical line, and two newlines at the end of a paragraph, creating a blank line. An alternative is to only put newlines at the end of each paragraph, and leave word wrapping up to the application that displays or processes the text.

A line break that is inserted manually, and preserved when re-flowing, may still be distinct from a paragraph break, although this is typically not done in prose. HTML's <br /> tag produces a line break without ending the paragraph; the W3C recommends using it only to separate lines of verse (where each "paragraph" is a stanza), or in a street address.[6]

Numbering
Main article: Dot-decimal notation
Paragraphs are commonly numbered using the decimal system, where (in books) the integral part of the decimal represents the number of the chapter and the fractional parts are arranged in each chapter in order of magnitude. Thus in Whittaker and Watson's 1921 A Course of Modern Analysis, chapter 9 is devoted to Fourier Series; within that chapter §9.6 introduces Riemann's theory, the following section §9.61 treats an associated function, following §9.62 some properties of that function, following §9.621 a related lemma, while §9.63 introduces Riemann's main theorem, and so on. Whittaker and Watson attribute this system of numbering to Giuseppe Peano on their "Contents" page, although this attribution does not seem to be widely credited elsewhere.[7] Gradshteyn and Ryzhik is another book using this scheme since its third edition in 1951.

See also: ISO 2145
Section breaks
Main article: Section (typography)
Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain a special symbol known as a dinkus, a fleuron, or a stylistic dingbat.

Style advice
The crafting of clear, coherent paragraphs is the subject of considerable stylistic debate. The form varies among different types of writing. For example, newspapers, scientific journals, and fictional essays have somewhat different conventions for the placement of paragraph breaks.

A common English usage misconception is that a paragraph has three to five sentences; single-word paragraphs can be seen in some professional writing, and journalists often use single-sentence paragraphs.[1]

English students are sometimes taught that a paragraph should have a topic sentence or "main idea", preferably first, and multiple "supporting" or "detail" sentences that explain or supply evidence. One technique of this type, intended for essay writing, is known as the Schaffer paragraph. This advice differs from stock advice for the construction of paragraphs in Japanese (translated as danraku 段落).[8]

See also
Inverted pyramid (journalism)
Notes
University of North Carolina at Chapel Hill. "Paragraph Development". The Writing Center. University of North Carolina at Chapel Hill. Retrieved 20 June 2018.
Edwin Herbert Lewis (1894). The History of the English Paragraph. University of Chicago Press. p. 9.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 39. ISBN 0-88179-206-3.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 40. ISBN 0-88179-206-3.
Tinker, Miles A. (1963). Legibility of Print. Iowa: Iowa State University Press. p. 127. ISBN 0-8138-2450-8.
"<br>: The Line Break element". MDN Web Docs. Retrieved 15 March 2018.
Kowwalski, E. "Peano paragraphing". blogs.ethz.ch.
com), Kazumi Kimura and Masako Kondo (timkondo *AT* nifty . com / Kazumikmr *AT* aol . "Effective writing instruction: From Japanese danraku to English paragraphs". jalt.org. Retrieved 15 March 2018.
References
The American Heritage Dictionary of the English Language. 4th ed. New York: Houghton Mifflin, 2000.
Johnson, Samuel. Lives of the Poets: Addison, Savage, etc.. Project Gutenberg, November 2003. E-Book, #4673.
Rozakis, Laurie E. Master the AP English Language and Composition Test. Lawrenceville, NJ: Peterson's, 2000. ISBN 0-7645-6184-7 (10). ISBN 978-0-7645-6184-9 (13).
External links
The dictionary definition of paragraph at Wiktionary
vte
Typography
Page
Canons of page constructionColumnEven workingMarginPage numberingPaper sizePaginationPull quoteRecto and versoIntentionally blank page
Paragraph
AlignmentLeadingRiverRunaroundWidows and orphans
Character
Typeface anatomy
CounterDiacriticsDingbatGlyphInk trapLigatureRotationSubscript and superscriptSwashText figuresTittle
Capitalization
All capsCamel caseInitialLetter caseSmall caps
Visual distinction
ItalicsObliqueBoldColor printingUnderlineBlackboard boldBlackletter
Horizontal aspects
Figure spaceKerningLetter-spacingParen spaceSentence spacingSpaceThin space
Vertical aspects
AscenderBaselineBody heightCap heightDescenderMedianOvershootx-height
Typeface
classifications
Roman type
Serif (Antiqua, Didone, slab serif)Sans-serif
Blackletter type
FrakturRotundaSchwabacher
Gaelic type
InsularUncial
Specialist
Record typeDisplay typeface (script, fat face, reverse-contrast)
Punctuation
DashesHanging punctuationHyphen-minusHyphenationPrime markQuotation mark
Typesetting
Etaoin shrdluFont computermonospacedFont catalogFor position onlyLetterpressLorem ipsumMicroprintingMicrotypographyMovable typePangramPhototypesettingPunchcuttingReversing typeType colorType designTypeface list
Typographic units
AgateCiceroEmEnMeasurePicaPoint traditional point-size namesProposed metric unitsTwip
Digital typography
Character encodingHintingRasterizationTypographic featuresWeb typographyBézier curvesDesktop publishing
Related articles
CalligraphyType designStyle guideType foundryHistory of Western typographyIntellectual property protection of typefacesTechnical lettering
Related tables
Punctuation and other typographic symbols

The oldest classical British and Latin writing had little or no space between words and could be written in boustrophedon (alternating directions). Over time, text direction (left to right) became standardized, and word dividers and terminal punctuation became common. The first way to divide sentences into groups was the original paragraphs, similar to an underscore at the beginning of the new group.[2] The Greek parágraphos evolved into the pilcrow (¶), which in English manuscripts in the Middle Ages can be seen inserted inline between sentences. The hedera leaf (e.g. ☙) has also been used in the same way.


Indented paragraphs demonstrated in the US Constitution
In ancient manuscripts, another mean to divide sentences into paragraphs was a line break (newline) followed by an initial at the beginning of the next paragraph. An initial is an oversized capital letter, sometimes outdented beyond the margin of the text. This style can be seen, for example, in the original Old English manuscript of Beowulf. Outdenting is still used in English typography, though not commonly.[3] Modern English typography usually indicates a new paragraph by indenting the first line. This style can be seen in the (handwritten) United States Constitution from 1787. For additional ornamentation, a hedera leaf or other symbol can be added to the inter-paragraph white space, or put in the indentation space.

A second common modern English style is to use no indenting, but add vertical white space to create "block paragraphs." On a typewriter, a double carriage return produces a blank line for this purpose; professional typesetters (or word processing software) may put in an arbitrary vertical space by adjusting leading. This style is very common in electronic formats, such as on the World Wide Web and email. Wikipedia itself employs this format.

Typographical considerations
Widows and orphans occur when the first line of a paragraph is the last in a column or page, or when the last line of a paragraph is the first line of a new column or page.

Professionally printed material in English typically does not indent the first paragraph, but indents those that follow. For example, Robert Bringhurst states that we should "Set opening paragraphs flush left."[3] Bringhurst explains as follows:

The function of a paragraph is to mark a pause, setting the paragraph apart from what precedes it. If a paragraph is preceded by a title or subhead, the indent is superfluous and can therefore be omitted.[3]

The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first,[3] noting that that is the "practical minimum".[4] An em space is the most commonly used paragraph indent.[4] Miles Tinker, in his book Legibility of Print, concluded that indenting the first line of paragraphs increases readability by 7%, on average.[5]

When referencing a paragraph, typographic symbol U+00A7 § SECTION SIGN (&sect;) may be used: "See § Background".

In computing
See also: Newline
In word processing and desktop publishing, a hard return or paragraph break indicates a new paragraph, to be distinguished from the soft return at the end of a line internal to a paragraph. This distinction allows word wrap to automatically re-flow text as it is edited, without losing paragraph breaks. The software may apply vertical white space or indenting at paragraph breaks, depending on the selected style.

How such documents are actually stored depends on the file format. For example, HTML uses the <p> tag as a paragraph container. In plaintext files, there are two common formats. The pre-formatted text will have a newline at the end of every physical line, and two newlines at the end of a paragraph, creating a blank line. An alternative is to only put newlines at the end of each paragraph, and leave word wrapping up to the application that displays or processes the text.

A line break that is inserted manually, and preserved when re-flowing, may still be distinct from a paragraph break, although this is typically not done in prose. HTML's <br /> tag produces a line break without ending the paragraph; the W3C recommends using it only to separate lines of verse (where each "paragraph" is a stanza), or in a street address.[6]

Numbering
Main article: Dot-decimal notation
Paragraphs are commonly numbered using the decimal system, where (in books) the integral part of the decimal represents the number of the chapter and the fractional parts are arranged in each chapter in order of magnitude. Thus in Whittaker and Watson's 1921 A Course of Modern Analysis, chapter 9 is devoted to Fourier Series; within that chapter §9.6 introduces Riemann's theory, the following section §9.61 treats an associated function, following §9.62 some properties of that function, following §9.621 a related lemma, while §9.63 introduces Riemann's main theorem, and so on. Whittaker and Watson attribute this system of numbering to Giuseppe Peano on their "Contents" page, although this attribution does not seem to be widely credited elsewhere.[7] Gradshteyn and Ryzhik is another book using this scheme since its third edition in 1951.

See also: ISO 2145
Section breaks
Main article: Section (typography)
Many published books use a device to separate certain paragraphs further when there is a change of scene or time. This extra space, especially when co-occurring at a page or section break, may contain a special symbol known as a dinkus, a fleuron, or a stylistic dingbat.

Style advice
The crafting of clear, coherent paragraphs is the subject of considerable stylistic debate. The form varies among different types of writing. For example, newspapers, scientific journals, and fictional essays have somewhat different conventions for the placement of paragraph breaks.

A common English usage misconception is that a paragraph has three to five sentences; single-word paragraphs can be seen in some professional writing, and journalists often use single-sentence paragraphs.[1]

English students are sometimes taught that a paragraph should have a topic sentence or "main idea", preferably first, and multiple "supporting" or "detail" sentences that explain or supply evidence. One technique of this type, intended for essay writing, is known as the Schaffer paragraph. This advice differs from stock advice for the construction of paragraphs in Japanese (translated as danraku 段落).[8]

See also
Inverted pyramid (journalism)
Notes
University of North Carolina at Chapel Hill. "Paragraph Development". The Writing Center. University of North Carolina at Chapel Hill. Retrieved 20 June 2018.
Edwin Herbert Lewis (1894). The History of the English Paragraph. University of Chicago Press. p. 9.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 39. ISBN 0-88179-206-3.
Bringhurst, Robert (2005). The Elements of Typographic Style. Vancouver: Hartley and Marks. p. 40. ISBN 0-88179-206-3.
Tinker, Miles A. (1963). Legibility of Print. Iowa: Iowa State University Press. p. 127. ISBN 0-8138-2450-8.
"<br>: The Line Break element". MDN Web Docs. Retrieved 15 March 2018.
Kowwalski, E. "Peano paragraphing". blogs.ethz.ch.
com), Kazumi Kimura and Masako Kondo (timkondo *AT* nifty . com / Kazumikmr *AT* aol . "Effective writing instruction: From Japanese danraku to English paragraphs". jalt.org. Retrieved 15 March 2018.
References
The American Heritage Dictionary of the English Language. 4th ed. New York: Houghton Mifflin, 2000.
Johnson, Samuel. Lives of the Poets: Addison, Savage, etc.. Project Gutenberg, November 2003. E-Book, #4673.
Rozakis, Laurie E. Master the AP English Language and Composition Test. Lawrenceville, NJ: Peterson's, 2000. ISBN 0-7645-6184-7 (10). ISBN 978-0-7645-6184-9 (13).
External links
The dictionary definition of paragraph at Wiktionary
vte
Typography
Page
Canons of page constructionColumnEven workingMarginPage numberingPaper sizePaginationPull quoteRecto and versoIntentionally blank page
Paragraph
AlignmentLeadingRiverRunaroundWidows and orphans
Character
Typeface anatomy
CounterDiacriticsDingbatGlyphInk trapLigatureRotationSubscript and superscriptSwashText figuresTittle
Capitalization
All capsCamel caseInitialLetter caseSmall caps
Visual distinction
ItalicsObliqueBoldColor printingUnderlineBlackboard boldBlackletter
Horizontal aspects
Figure spaceKerningLetter-spacingParen spaceSentence spacingSpaceThin space
Vertical aspects
AscenderBaselineBody heightCap heightDescenderMedianOvershootx-height
Typeface
classifications
Roman type
Serif (Antiqua, Didone, slab serif)Sans-serif
Blackletter type
FrakturRotundaSchwabacher
Gaelic type
InsularUncial
Specialist
Record typeDisplay typeface (script, fat face, reverse-contrast)
Punctuation
DashesHanging punctuationHyphen-minusHyphenationPrime markQuotation mark
Typesetting
Etaoin shrdluFont computermonospacedFont catalogFor position onlyLetterpressLorem ipsumMicroprintingMicrotypographyMovable typePangramPhototypesettingPunchcuttingReversing typeType colorType designTypeface list
Typographic units
AgateCiceroEmEnMeasurePicaPoint traditional point-size namesProposed metric unitsTwip
Digital typography
Character encodingHintingRasterizationTypographic featuresWeb typographyBézier curvesDesktop publishing
Related articles
CalligraphyType designStyle guideType foundryHistory of Western typographyIntellectual property protection of typefacesTechnical lettering
Related tables
Punctuation and other typographic symbols